As of Tuesday, November 3, 2026, at 6:00 a.m. Eastern Standard Time (EST, UTC−05:00; 11:00 UTC), the latest completed domestic weekend box office chart covers Friday, October 30, through Sunday, November 1. You Can See Everything leads that chart with $11,445,628, followed by Clayface with $11,002,116. Those are reported receipts for the completed weekend, not a forecast of the week beginning Monday, November 2. The current week's full seven-day grosses are not yet available, so no top 10 for November 2–8 is presented as a finished result.
This November 2 weekly briefing pairs the latest completed weekend ranking from The Numbers with its scheduled theatrical openings. It separates ticket sales already reported from films that have not opened. In industry reporting, “domestic” commonly includes the United States, Canada, and Puerto Rico, rather than U.S.-only receipts; see IMDbPro's box office glossary.
These figures come from The Numbers' chart dated October 30, 2026, the start of the Friday–Sunday reporting window. Grosses are in U.S. dollars. “Previous rank” refers to the prior weekend on the same chart, not the previous Monday-to-Sunday week. Changes compare each film's weekend gross with its preceding weekend; a new entry has no comparable prior-weekend figure.
| Rank | Movie or event | Weekend gross | Previous rank | Weekend change |
|---|---|---|---|---|
| 1 | You Can See Everything | $11,445,628 | 2 | −39% |
| 2 | Clayface | $11,002,116 | 1 | −54% |
| 3 | Wildwood | $8,949,324 | 3 | −27% |
| 4 | Wicker | $4,364,009 | 5 | −24% |
| 5 | Street Fighter | $3,659,618 | 4 | −57% |
| 6 | BTS World Tour ‘Arirang’ in Buenos Aires and São Paulo Live Viewing | $2,800,000 | New | Not comparable |
| 7 | Other Mommy | $2,595,895 | 6 | −34% |
| 8 | Resident Evil | $2,550,957 | 10 | −12% |
| 9 | The Only Living Pickpocket in New York | $1,878,274 | 25 | +1,255% |
| 10 | Heart of the Beast | $1,656,721 | 11 | −32% |
The ten entries add up to $50,902,542 in reported weekend grosses, calculated from the individual film figures shown above. The Numbers lists $62,028,639 across 65 reporting movies for the weekend; that wider total is not the same measure as the top 10. Reported receipts may be corrected after late submissions, so readers comparing this snapshot with a later chart should note the reporting period and revision status.
You Can See Everything advanced from second place to first, topping Clayface by $443,512. Both declined in weekend ticket revenue, but the former slipped 39% while the latter fell 54%. That combination explains the change in rank more accurately than calling the new leader a film with growing weekend sales. Wildwood stayed third with $8.95 million, down 27%, a smaller proportional drop than either film ahead of it.
The Only Living Pickpocket in New York moved from No. 25 to No. 9 and recorded $1.88 million, an increase of approximately 1,255% from the preceding weekend. The Numbers reports 1,112 theaters for this weekend; the Box Office Mojo weekend chart also records an expansion of 1,106 theaters. Its jump is therefore linked to a much broader theatrical footprint, and should not be read as proof that sales rose by the same proportion at existing locations.
Wicker climbed from fifth to fourth despite a 24% gross decline; Resident Evil rose from tenth to eighth with a comparatively modest 12% drop. Meanwhile, Street Fighter slid from fourth to fifth. Movement in the ranking depends on how competing films performed, not only whether a particular film's own receipts rose or fell.
The concert-cinema special engagement BTS World Tour ‘Arirang’ in Buenos Aires and São Paulo Live Viewing entered at No. 6 with $2.8 million. It is a new entry on this chart, not evidence of an ongoing conventional theatrical run. Outside the top 10, The Numbers places Verity at No. 11, Sense and Sensibility at No. 12 and Whalefall at No. 13. These titles had occupied places in the previous weekend's top 10; they have not been silently carried forward into this week's ranking.
The release calendar is a schedule, not a box office ranking. As checked for this November 3 briefing, The Numbers' North American release schedule lists these films for Friday, November 6, 2026, as wide releases:
Dates and release types can change. “Wide” is the release-calendar classification, not a guarantee that every local theater will show the film. None of these November 6 titles should receive a November 2–3 gross or ranking before ticket sales are reported. Check a local theater's schedule for showtimes and formats rather than assuming nationwide uniformity.
The calendar also lists limited openings of 67 Bombs to Enid and The Last Temptation of Becky, plus the special engagement Rammstein: Live in Mexico City, for Wednesday, November 4. Cyber Protocol appears as a limited opening on Thursday, November 5. Additional November 6 limited releases are scheduled, but limited distribution does not mean that a movie has placed in the national top 10. A film's release date and a reported gross answer different questions.
| Question | Use this measure | Status on November 3 |
|---|---|---|
| Which film won the last completed weekend? | Friday–Sunday domestic weekend chart, October 30–November 1 | Reported: You Can See Everything |
| What was the last completed full industry week? | Friday–Thursday weekly chart, October 23–29 | Available; different reporting period |
| Who leads the week that began November 2? | Wait for the relevant reporting window to close | No complete weekly top 10 yet |
| Which movies are opening November 6? | Theatrical release schedule | Scheduled, not grossed |
According to Box Office Mojo's published methodology, a standard weekend covers Friday through Sunday, while a full box office week runs from Friday through Thursday. Distributors generally publish Sunday estimates and then Monday actuals; revisions may arrive afterward. The weekly index was stamped Monday, November 2, 2026, at 5:11 p.m. Pacific Standard Time (PST, UTC−08:00), equivalent to Tuesday, November 3, at 1:11 a.m. UTC. This is the site's data-as-of timestamp, not a verified first-publication timestamp for every underlying film figure.
Eastern Standard Time, rather than daylight time, applies to the November 3 briefing because U.S. daylight saving time ended on November 1, 2026, as specified by the National Institute of Standards and Technology. The time stamp describes when this article's information was assessed; it does not change the Friday–Sunday dates of the reported grosses.
Bottom line: Entering the week of November 2, the most recent completed weekend shows You Can See Everything ahead of Clayface, with Wildwood holding third place and a live-viewing event entering the top 10. The next meaningful ranking will come from fresh reporting for the approaching November 6–8 weekend or a later completed Friday–Thursday week—not from assigning future releases unearned positions today.
The latest domestic box office top 10 entering November 2, 2026: verified Oct. 30–Nov. 1 grosses, chart moves, and new movies scheduled for Nov. 6.
Clayface leads the Oct. 23–25 domestic chart, while You Can See Everything rises 25%. See the top 10 grosses, new entries, and week-over-week moves.
See the U.S. box office top 10 for October 19, 2026, with weekend grosses, five new chart entries, week-over-week changes, and chart methodology.
See the US domestic box office top 10 reported October 12, 2026, with October 9–11 grosses, new releases, ranking changes, and updated figures.
Verity leads the October 2–4 domestic box office. See the top 10 grosses, three new arrivals, and changes shaping the week of October 5, 2026.
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